This revisionist study challenges the received opinion that in its earliest manifestations Christianity was a form of religiosity opposed both on principle and in fact to the use of pictures. The book documents the origins of Christian art based on some of the oldest surviving Christian archaeological evidence, and it seeks to show how the Christian products conformed to the already-existing pagan types and models.

"This is a major book about a major topic....Clearly written, at times elegant and provocative....Finney's book was a pleasure to read and will be promptly recommended to my students."

"This book is both learned and ground-breaking....Finney's work is an important contribution to the study of early Christian art history."

"Finney's work rightly shatters some paradigms and offers significant new insights into the nature and function of early Christian art. Because Finney is so well versed in both early Christian literature and art history he is the right person to do both. This is a ground-breaking work whose thesis should supplant all earlier scholarship on the matter of Christian attitudes toward the visual arts. As a dedicated student of Christian iconography, I feel as if someone has cleared a lot of old dead wood off the land, and made it ready to receive the seeds of new, fresh speculations."

"Impressive and meticulous....The work is a model of clarity and precision and deserves to be read and argued about by everyone interested in the Late Antique and rhetoric."

"The Invisible God is an important book, a fresh and long-needed reexamination of a range of issues in early Christian art and a challenge...to a number of prevailing assumptions in the field. It deserves the attention of classicists, students of art, historians of late antiquity, and patristic scholars. It should be a staple of any college or university library."

Paul Corby Finney, Professor of Ancient History, University of Missouri, St. Louis